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Canon EOS R6 Mark II RF24-105mm


About this item

  • High image quality featuring a new 24.2 megapixel full-frame CMOS sensor
  • DIGIC X Image Processor with an ISO range of 100-102400
  • RAW burst mode and pre-shooting captures up to approx. 30 fps
  • Automatic subject detection of people, animals, and vehicles
  • 6K oversampled uncropped 4K movie at up to 60 fps
  • In-body Image Stabilizer with up to 8 stops of Shake Correction with Coordinated Control IS
  • UVC/UAC compatibility allows use as a web camera and stream live video in Full HD

$2,999.00

Okay, let’s talk about how amazing the Canon EOS R6 Mark II with the RF24-105mm F4-7.1 IS STM Lens Kit is—like, real talk, friend to friend.

So first off, the EOS R6 Mark II is part of Canon’s newer mirrorless lineup, and it’s seriously one of the best all-around cameras you can get right now—especially for someone who wants pro-level performance without totally breaking the bank. Whether you’re a content creator, hobbyist, photographer stepping into full-frame, or even a serious hybrid shooter doing both photo and video, this camera is built to keep up with your vision.

Let’s break it down. This thing has a 24.2MP full-frame sensor that delivers incredible image quality—like tack-sharp details, beautiful dynamic range, and low-light performance that’ll blow your mind. Even when you’re shooting in dimly lit rooms or at golden hour, your images are clean and vibrant. And the DIGIC X processor? That’s the same brain Canon uses in its flagship cameras. Translation: it’s fast. Like, “you blink and the shot is already saved to the card” fast.

Now here’s where it gets wild—the burst shooting. You can shoot up to 40 frames per second with the electronic shutter. That’s ridiculously fast. Perfect for catching those fleeting moments, like a surprise laugh, a kid mid-jump, or a bird taking off. You won’t miss a beat.

Video? Oh man. The R6 Mark II records 6K oversampled 4K video at 60fps with no crop. That means your video is super sharp, cinematic, and buttery smooth. Add in Canon Log 3 and HDR PQ, and you’ve got enough dynamic range and color flexibility to make your edits look like they came out of a Netflix production. It also has features like focus breathing correction and false color, which are clutch for getting pro-level shots without extra gear.

Now let’s talk about the RF24-105mm F4-7.1 IS STM lens that comes in the kit. Is it Canon’s most high-end lens? No, but don’t underestimate it. It’s actually one of the most versatile walkaround lenses out there. With 24mm, you’re wide enough for landscapes, architecture, and vlogging; and at 105mm, you’re zooming in on portraits, travel details, and candid moments. The built-in Image Stabilization is no joke either—it gives you up to 5 stops of shake correction, and when paired with the camera’s In-Body Image Stabilization (IBIS), you can shoot handheld even in low light and still get sharp results.

Plus, the STM motor (stepping motor) is silent and smooth. That makes it perfect for video recording where you don’t want to hear your lens buzzing while you rack focus. It’s lightweight too, so your camera doesn’t feel like a brick hanging off your neck all day.

And let’s not skip over autofocus, because Canon’s Dual Pixel CMOS AF II is straight-up magical. It tracks people, eyes, animals, cars, and even horses (yes, horses). It’s fast, sticky, and trustworthy. You can just point the camera at your subject, and it locks on and doesn’t let go—even if they’re running toward or away from you.

Now for the why-this-kit-is-awesome-to-buy part: you’re getting a full-frame camera with pro-level features, an incredibly useful lens to start, Canon’s legendary color science, and mirrorless performance that’s future-proof. It’s an investment that can grow with you. You can start with this kit, and later, if you want to build out your gear with faster RF lenses or even dive deeper into filmmaking, this body can totally handle it.

SKU: EOS R6 Mark II RF24 5666C018 Categories: , Tag: Brand: ,
Type
Digital interchangeable lens, mirrorless camera
Image Processor
DIGIC X
Recording Media
(Two) SD card slots

  • Compatible with UHS-II
  • Eye-Fi cards and Multimedia cards (MMC) are not supported.
Compatible Lenses
Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens Mount
Canon RF mount

 

Image Sensor

Type
Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF)
Effective pixels
Approx. 24.2 megapixels
Screen Size
Approx. 36.0 x 24.0 mm
Pixel Unit
Approx. 6.00 µm square
Total Pixels
Approx. 25.6 megapixels
Aspect Ratio
3:2 (Horizontal:Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Installed in front of the image sensor, non-detachable
Dust Deletion Feature
  1. Self Cleaning Sensor Unit
    • Removes dust adhering to the low-pass filter.
    • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen).
    • After manually activated cleaning, the camera will automatically restart (Power OFF to ON).
    • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected.
  2. Dust Delete Data acquisition and appending
    • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.
    • The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots.
    • Not available with RF-S/EF-S lenses, in cropped shooting, during focus bracket shooting, in FAW burst mode, or multiple-exposure shooting.
  3. Manual cleaning (by hand)

 

Recording System

Recording Format
Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31.
Image Format
JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4)
File Size
* At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter.
*1: Number of shots using a 32 GB card that conforms to Canon testing standards.
*2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards.
*3: When set to [HDR shooting (HDR PQ): Disable].
*4: When set to [HDR shooting (HDR PQ): Enable].
File Numbering
The following file numbers can be set:

  1. File numbering methods
    • Continuous numbering
      • The numbering of captured images continues even after you replace the card.
    • Auto reset
      • When you replace the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card.
  2. Manual reset
    • Resets the file number to 0001, and creates a new folder automatically.
RAW + JPEG / HEIF Simultaneous Recording
Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.

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